The not–so–hot reviews of George Clooney’s all-star THE MONUMENTS MEN prompted me to watch the documentary on the same subject. THE RAPE OF EUROPA is the story of art during WWII — how Hitler coveted it, how the Nazis stole it and how a group of American soldiers were tasked with trying to protect the cultural history of Europe. (The doc is based on a book of the same name which has an excellent website of its own.)
The documentary is really powerful, but the most shocking revelation to me in the whole Joan Allen-narrated thing was just a few seconds long. Hitler only came to Paris once, early in the morning after it fell in June 1940. One of the places he visited was the church de la Madeleine. They show footage of him jauntily running up the steps.
I have sat on those exact same stairs on several occasions so that I could enjoy an American-style hamburger from France’s first food truck, Le camion qui fume, which frequently parks nearby. According to some theories of spacetime, this means that he and I exist simultaneously on those stairs. Me and Hitler, sharing space, under circumstances neither of us could have imagined.
Other interesting insights from THE RAPE OF EUROPA
→ My opinion that the Nazis are, were and will always be the worst people in the history of all things is unchanged. They make the greatest on-screen villains, but in reality, they were such unspeakably horrible people, committing such tremendously heinous acts, that it’s hard to believe they were human.
→ I hadn’t realized that the Jeu de Paume, a fairly innocuous museum tucked in at the end of the Tuileries Gardens and above the Concorde métro station, played an integral part in salvaging important artifacts. I will have to revisit it with this new appreciation for the space in mind.
→ When the Louvre needed able bodies to help crate and cart away the contents of the museum, they employed shop workers, old men and women since all the young men were fighting. The story about the moving of the Winged Victory is one of those human-spirit-triumphs-over-adversity that I don’t usually like but it was one of the times I was moved to tears.
→ Lots of Nazi art and some of Hitler’s original artwork is stored under a building in Washington, DC. (The works are deemed too controversial to exhibit which is probably true, but is still sad as I think it’d be interesting to see them.) I’d never actually seen any of the Führer’s paintings before and was surprised to see that they look exactly like streetscapes people sell in tourist areas. They appear to be accurate representations of things and have no artistic vision, flare or unique technique. The doc makes a pretty compelling subtle argument that much of Hitler’s motivation came from not getting into art school and that his systematic campaign to destroy and ridicule “degenerate art” was really his way of trying to teach people to value his uninspired style.
John Frankenheimer (THE MANCHURIAN CANDIDATE, RONIN) directed a fictional version of this story in 1964. THE TRAIN stars Burt Lancaster as a Parisian station master who helps the French Resistance spirit a train full of French art away from the Nazis. Unlike Steve McQueen, no one needs to tell me why Lancaster was appealing.
I can’t science but I can Google
→ A theory of compressed spacetime was recently highlighted on HBO’s TRUE DETECTIVE. I don’t really understand what Matthew McConaughey’s talking about, but you can see if it makes any sense to you here.
→ Apparently, it’s a form of M-theory which I also can’t make heads or tails of.